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    Laurie would go on to co-star with Olivier in the three Shakespearean films that Olivier directed.

    In a 2015 retrospective for The Guardian, theatre critic Michael Billington praised Redgrave as having "the ability to give a performance [as Rosalind] that becomes a gold-standard for future generations".

    Determined that the production be as realistic as possible, he had designer Dom Homfray base the set on real Tudor houses associated with Shakespeare: Falstaff's room is based on the home of Mary Arden (Shakespeare's mother) in Wilmcote, and the wives' houses are based on the house of Shakespeare's daughter Susanna, and her husband, John Hall.

    For the background of exterior shots, he used a miniature Tudor village built of plasticine.

    Neither of these plays was successful, but Welles considered portraying Falstaff to be his life's ambition and turned the project into a film.

    Ralph Richardson's narration is taken from the works of chronicler Raphael Holinshed.

    A musical comedy Bollywood adaptation based on the 1963 film Bhranti Bilas, which in turn was based on a 1869 play by Ishwar Chandra Vidyasagar, which is itself based on The Comedy of Errors. A musical comedy Bollywood adaptation, based on the 1968 film Do Dooni Char, which was based on the 1963 film Bhranti Bilas, which in turn was based on a 1869 play by Ishwar Chandra Vidyasagar, which is itself based on The Comedy of Errors.

    Videotaped as part of PBS's Great Performances series at Lincoln Center, New York City, this production starring The Flying Karamazov Brothers combined Shakespeare with slapstick comedy, acrobatics and juggling on the basis that "in Ephesus, you juggle or die!

    It is based on a 1869 play by Ishwar Chandra Vidyasagar, which is itself based on The Comedy of Errors.

    Bhranti Bilas was remade in 1968 as the musical comedy Do Dooni Char, which in turn was later remade as Angoor.

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